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Short End Magazine has posted an awesome review of “The Bet.”

It’s rare to see a first time director arrive on scene with all his aesthetic ducks in a row. With The Bet Michael Dunn enters just that way, with a vibrant vision in a carefully crafted and intriguing philosophical horror worth its weight in unspoken themes. Through the prism of social commentary, The Bet distills moral quandary with undercurrents of righteous violence.

Read the full review (and an interview with me).